Friday, March 26, 2021

Mythical Beings in Irish Mythology: A Mini-Essay

     In 1888, William Butler Yeats compiled a survey of Irish mythology which revealed the intricate and enduring nature of the country’s folklore. As the renowned author expresses, a preponderate element of these legends is ethereal beings, ranging from impish fairies to reprehensible witches. 

     Although some claim they are fallen angels and other attest they are former gods who shrank as they were no longer worshipped, fairies, called sheehogue, occupy a majority of Irish folk tales. With their capricious temperaments, they can be both mischievous and vengeful, minuscule and mountainous, and hardened and sensitive while they spend their time eating, fighting, loving, and singing between their three raucous celebrations: May Eve, when they battle over the bounties of the harvest; Midsummer Eve, when they honor Saint John with bonfires, feasts, and the capture of mortals for their brides; and November Eve, when they dance with ghosts, witness witches cast their spells, and flutter about the tables set with food for the Devil.[1] Highly fond of milk and honey, fairies frequent fields and woods; however, a subset descended from the Tuatha-de-Dananns reside in caves and are skilled necromancers who excel in building, magic, music, and poetry.[2] Despite their jovial nature, fairies are prone to acts of ill intent, sometimes stealing mortal babies for their own and replacing them with changelings.[3] Overall, though, these mystical beings are good-natured and highly social, intervening in the lives of mortals while still maintaining a sense of secrecy. 

      Unlike their social counterparts, solitary fairies, the leprechaun among them, prefer an isolated existence and regularly wear red to distinguish themselves from their green, sociable peers.[4] Gifted in the art of shoemaking, leprechauns often amass large fortunes, which they hide from others – both mortal and mystical – in ambiguous locations.[5] 

     Also an isolated being, the pooka, a he-goat capable of changing into an ass, bull, eagle, goat, or horse, delights in tormenting and tricking his mortal neighbors, especially during November Eve, with his roguish antics that sometimes prove pernicious.[6] 

     Equally as lonesome are ghosts, known as Thevshi or Tash, which exist in an intermediary state between the afterlife and the world of the living and, having eluded the fairies who appeared at the time of their death to lead them to Heaven, these lost souls are often the product of a lingering grudge, unexpected death, unfinished business, or unrequited love.[7] Capable of taking the shapes of animals and insects, particularly rabbits and butterflies, ghosts are compelled to obey the commands of the living and, if they perished having wronged an individual, they become slaves to that person’s orders.[8] 

     The deadliest of all solitary beings, in turn, are the banshee and the Dullahan. An attendant fairy whose wailing and clapping hands precede a death, banshees are most feared when they appear in groups, where their moaning chorus signals the coming death of a prodigious or highly pious individual.[9] Likewise, the Dullahan and its cóiste-bodhar (a massive black coach drawn by headless horses and mounted with a coffin) occasionally accompanying the banshees, is considered a bad omen, and will toss a basin of blood in the face of whomever answers the doors on which they knock.[10]  

     Similar to the illusive trooping fairies are the aquatic merrow who inhabit the waters encompassing Ireland. While male merrow are exceedingly ugly, possessing green hair and teeth, a red nose, and the eyes of a pig, their female counterparts are strikingly beautiful – despite their fish tails – and often take handsome fishermen as their paramours.[11] Some merrow are capable of venturing onto shore in the form of a hornless cow with a red cap; however, if the cap, called a cohullen druith, is stolen, they cannot return to the sea and are doomed to remain in their bovine form.[12] Akin to the impish fairies of the fields and woods, merrow are known for their harmless trickery and rarely engage in acts of cruelty. The same, though, cannot be said of witches. 

     While witches obtain their power from allegiances with evil spirits, smell of the grave, transform themselves into cats, hares, and wolves to perform wicked deeds, craft meddlesome love potions by making tea from the dried liver of a black cat, and use the hand cut from a corpse – known as the dead hand – to steal their neighbor’s food, fairy doctors receive their magic from the fairies who carried them away for seven years and trained them in practices of good tinged with occasional acts of mischief.[13] Capable of detecting the misdeeds of witchcraft and crafting counter charms, these lone souls never fall ill, exist mainly on a diet of bread, fruits, and vegetables, do not consume alcohol, revere the scaredness of graveyards, and only confess their role as a fairy doctor on their deathbed to the individual meant to be their replacement.[14]

Works Referenced
 
Wilde, Jane. “The Cave Fairies.” A Treasury of Irish Fairy and Folk Tales. Ed. William Butler Yeats. 1888. New York: Barnes and Noble, 2015. 87.
 
Yeats, William Butler, ed. A Treasury of Irish Fairy and Folk Tales. 1888. New York: Barnes and Noble, 2015 


[1] Yeats, 7-9.
[2] Wilde,  87.
[3] Yeats, 112.
[4] Yeats, 176.
[5] Yeats, 176.
[6] Yeats, 238.
[7] Yeats, 349-350.
[8] Yeats, 349.
[9] Yeats, 288.
[10] Yeats, 288.
[11] Yeats, 146.
[12] Yeats, 146.
[13] Yeats, 381-383.
[14] Yeats, 381-382.

Friday, March 19, 2021

Headless Doll Prizes

$5 - $10 (based on 2017 prices)

Makes five dolls

Fabricating the pumpkin dolls left me with five headless bodies, since I only needed the craniums to finish the props. Not wanting to waste the materials, I transformed them into prizes for the carnival display as part of my office’s annual decorating competition. The entire process took less than thirty minutes to complete and, despite their easy and quick creation, they added a subtle level of unnerve to the overall display. In addition to their simplicity, the props are also rather versatile and can be made with a variety of stuffed animals.

  • Five dolls with cloth bodies
  • One 2 oz. bottle of acrylic paint in black*
  • One 2 oz. bottle of acrylic paint in brown*
  • One 2 oz. bottle of acrylic paint in red*
  • Hot glue gun and glue sticks
  • Ten dried sticks in varying sizes

1. Remove the heads and any other plastic or vinyl appendages from the dolls (these can be reserved for alternate projects like the creepy doll wreath or the dead baby bassinet). You can also cut off arms and legs to amplify the creepiness.

2. Use black and brown paint to apply a level of grime to the props. If you don’t mind the mess, spread the paint onto the palms of your hands and use your fingers to smear it along the surfaces. Alternatively, a light dusting of black and brown spray paint can achieve the same results by holding the can over twelve inches away from the dolls and making quick flicking motions.

3. Utilize red paint to write words like fun, games, ha ha, laugh, play, and win on the bodies. You want the wording to be haphazard. To achieve this, exaggerate curves, create sharp points, and elongate certain aspects. You could also write letters backwards and deliberately misspell words. Keep in mind, though, that the words need to be readable, so try not to overdo your artistic flairs.

4. Glue sticks into the openings of the arms and, if you want, the legs as well. Then, seal the other openings with glue. The size of the sticks rests entirely with you. You can create small, stubby appendages or long, gnarled limbs. If safety is a major concern, consider hanging the props in a secluded area where they cannot poke visitors or fabricate fake sticks by using the steps outlined in the pumpkin dolls instructional.

5. The props can be enhanced further with additional embellishment to complement your haunt’s theme, such as swarms of insects crawling out of holes. 

*You will not use the entire bottle’s content for this project.

Friday, March 12, 2021

"The Leprechaun" (A Poem)

Literary scholar Michael Jaros asserts two authors have been the most influential in shaping contemporary images of the leprechaun. The first, T. Crofton Croker, fashioned the mythical figure into a solitary fairy famous for his shoemaking when he recounted the folklore in his 1825 work The Legends and Traditions of the South of Ireland.[1] The second, William Allingham, reinforced the imagery presented by Croker and added further details, including the leather apron, short stature, and tendency to sing while working.[2] Printed below is Allingham's poem, which was originally published in 1865.

Little Cowboy, what have you heard,
Up on the lonely rath's green mound?
Only the plaintive yellow bird
Sighing in sultry fields around,
Chary, chary, chary, chee-ee! -
Only the grasshopper and the bee? -
'Tip-tap, rip-rap,
Tick-a-tack-too!
Scarlet leather, sewn together,
This will make a shoe.
Left, right, pull it tight;
Summer days are warm;
Underground in winter,
Laughing at the storm!'
Lay your ear close to the hill.
Do you not catch the tiny clamour,
Busy click of an elfin hammer,
Voice of the Leprachaun singing shrill
As he merrily plies his trade?
He's a span
And a quarter in height.
Get him in sight, hold him tight,
And you're a made
Man!

You watch your cattle the summer day,
Sup on potatoes, sleep in the hay;
How would you like to roll in your carriage,
Look for a duchess's daughter in marriage?
Seize the Shoemaker—then you may!
'Big boots a-hunting,
Sandals in the hall,
White for a wedding-feast,
Pink for a ball.
This way, that way,
So we make a shoe;
Getting rich every stitch,

Tick-tack-too!‘
Nine-and-ninety treasure-crocks
This keen miser-fairy hath,
Hid in mountains, woods, and rocks,
Ruin and round-tow'r, cave and rath,
And where the cormorants build;
From times of old
Guarded by him;
Each of them fill'd
Full to the brim
With gold!

I caught him at work one day, myself,
In the castle-ditch where foxglove grows,-
A wrinkled, wizen'd, and bearded Elf,
Spectacles stuck on his pointed nose,
Silver buckles to his hose,
Leather apron—shoe in his lap-
'Rip-rap, tip-tap,
Tick-tack-too!
(A grasshopper on my cap!
Away the moth flew!)
Buskins for a fairy prince,
Brogues for his son,—
Pay me well, pay me well,
When the job is done!'
The rogue was mine, beyond a doubt.
I stared at him; he stared at me;
'Servant, Sir!' 'Humph!' says he,
And pull'd a snuff-box out.
He took a long pinch, look'd better pleased,
The queer little Leprachaun;
Offer'd the box with a whimsical grace, -
Pouf! he flung the dust in my face,
And while I sneezed,
Was gone![3]

Works Referenced


Allingham, William. “Song of the Leprechaun, or Fairy Shoemaker.” The Latch Key of My Bookhouse. Ed. Olive Beaupre Miller. Chicago, IL: The Bookhouse for Children, 1920. 370.

Jaros, Michael. “Leprechaun.” The Ashgate Encyclopedia of Literary and Cinematic Monsters. Ed. Jeffrey Andrew Weinstock. Burlington, VT: Ashgate Publishing Company, 2014. 372-375.

____________________ 

[1] Jaros, 373.

[2] Jaros, 373-374. 

[3] Allingham, 370.

Friday, March 5, 2021

Butterfly Wreath

$15 - $20 (based on 2017 prices)

Makes one wreath

The Dia de Los Muertos portion of 2017’s haunted house required dozens of wreaths and flowers for an intricate funeral scene. For this version, I incorporated the butterflies and skulls common in the holiday’s themes. What I like most about this particular prop is its versatility. The colors of everything from the leaves to the skulls can be modified for a unique look. You could go for tradition with monarch butterflies and sugar skulls or a polychromatic showcase with multicolored leaves.

  • Three small, plastic skulls (about three inches wide)
  • One 10 oz. cans of interior/exterior, fast-drying spray paint in summer squash*
  • One 2 oz. bottle of acrylic paint in hot cocoa*
  • One 2 oz. bottle of acrylic paint in hunter green*
  • One 2 oz. bottle of acrylic paint in olive*
  • One twelve-inch grapevine wreath
  • Five or six four-foot garlands of artificial leaves (roughly thirty-six leaves per garland)
  • Hot glue gun and glue sticks
  • Six decorative butterflies
  • One to two feet of steel wire

1. On a newspaper-lined surface in a well-ventilated area, give the skulls three even coats of summer squash spray paint. Depending on your desired coverage, you may want more or less. I elected to remove the mandibles from my skulls for aesthetic purposes; however, you are free to leave the items intact. Likewise, you can use a different hue of paint to cater the props to your haunt’s needs.

2. Water down the olive paint and brush it over the skulls, ensuring the liquid settles into all the fissures (you can also use a spray bottle for the application). Allow the mixture to sit for a few minutes and then wipe it clean. Repeat the process with the hunter green paint. You may want to experiment with the consistency prior to doing this: the more water you add, the fainter/lighter the wash; the less water you add, the deeper/ darker the wash. Once you achieve the level of green tint you desire, detail the eyes, noses, and any cracks with hot cocoa paint. Akin to step one, you can use alternate colors to complement your chosen theme.

3. Cut openings into the centers of the skulls large enough to accommodate the wreath. To make this process easier, purchase skulls made from thin plastic. If it helps, trace the outlines of your cuts with a marker first. If you are worried the process will damage the paint job, perform this step first and then move on to steps one and two.

4. Slide the skulls onto the wreath, position them so they are evenly spaced, and glue them in place. Don’t worry too much if the edges of the openings do not sit flush against the wreath. As you apply the leaves, this factor can be masked.

5. Separate the leaves from their garland. Although you could do this while you glue them to the wreath, I found that performing this step beforehand made the following process much easier. Plus, it gives you a clear idea of exactly how many of each item you have. Next, use hot glue to adhere the leaves to the wreath. For visual interest, build up layers and vary the color patterns so that leaves with the same hues and shapes are not clustered in one area.

6. Add further embellishments to the wreath by gluing decorative butterflies to the foliage. You can use an evenly spaced pattern to create balance or a random placement for extra irregularity. Akin to the skulls, the hues of the butterflies can be modified for you specific scheme.

7. If the wreath did not come with hanging loops, you can fashion one with steel wire or utilize a wreath hanger. You can also add ribbon or colorful sprigs of onion grass for further embellishments.

 *You will not use the entire bottle’s content for this project.